'Choices'

I do have a working title for my novel, but it gives away too much of the plot.

So here is the new working title: 'Choices'.

However it started, it has become the stories about women, the choices they have, the consequences of those choices. Of course, there is a connection between these women and the connection is my antagonist Nick.

Was surprised this morning, 1000 words and one of my heroines made a choice I had not expected. 

But that's the fun about writing: that you only have to nudge your characters and you can see what they are up to. 

I've started working on the flyer for the Retrospective Exhibition of Patchwork and Textile Art that will open on 2 April. 

Thank you to my friends Ros who will design them!

Going through my images, gotto love this bit of stitching I did on my Tibetan Panel Coat, which will be on display during the exhibition,

A lovely surprise in my inbox from someone I had given a wall quilt to in appreciation for what she had done for me and my husband during his illness.

Here it is: beautifully framed:

Fantastic to know the work was appreciated!

Thank you to my intrepid team of testers!

Thank you Brigitte, Mary, Helen, Carol, Trish and Lesley who are now making sure the instructions I am writing for this quilt are the clearest and easiest to follow they can be!

Loved what I saw of your versions today!
Will take photos next week to post here. 

The quilt was received well in Melbourne and the instructions will definitely be in time for next Quilt Market. 

Thank you Victorian Textiles for your support and encouragement.

What else did I do: I updated my website, with a bit more to go, I changed  my facebook name Hetty Vb to  Hetty van Boven....

Ready for Contextart

Contextart is a textile event held in the Blue Mountains from 11-16 April.
I was originally booked into the two day workshop Stitched and Collaged Landscapes with Liz Maidment and four days with Fiona Hammond,: Beading Embellishement for the creative fibre artist.
I had met Fiona only recently at the Brisbane Stitches and Craft show and seeing her work in person, I couldn't wait to do the classes. Unfortunately, she had an accident and I had to choose another workshop. Not easy, with only 2 days left to source any material I might need.

I picked http://contextart.com.au/shop/jewellery-interior-design-and-more/ with Teresa Dair, because all I had to bring was knitting needles.
Knitting? Moi???? Had to borrow the needles, mine had been thrown out years ago.
But hey, it might open another door for me, I might love it, I might see possibilities in it, who knows.

I did consider Ken Smith's class, Bracken, Lichen and Fungi.
I probably could have gotten a sewing machine through the local Bernina shop, I probably had in my stash everything on his long materials list, but with only two days left in which I had to get ready, including getting the SASI (Somerset Art Society) newsletter out, have a hair cut and try to get some internet.

I am with Westnet and on Friday morning,  now five days ago, we, here in Esk,  were  not only without landline nor ADSL, but my  mobile phone service was also very limited. I received emails, but could not send and could not open attachments, let alone use the phone to tether to my laptop. Yesterday morning I bought pre-paid Telstra wifi.

Boo to Westnet, Telstra and Optus who did not work together to avoid this disaster for our area and/or provided better support.

Paper-cloth

I went to the Craft Show in Brisbane yesterday which was terrific and very inspiring.
Of course, had to buy some beads, some  packets of luscious fabrics, threads, book.
One book Stitch Alchemy shows a technique to create sheets of paper-cloth.
Basically, you put a piece of fabric on some freezer paper, slap some diluted white glue on it and cover it with strips of paper. The resulting sheet can be used to paint, stitch, embellish, cut..whatever.
I did 3 today.
#1: gold tissue paper and the handmade paper our washing came back in when we were in Bali many years ago plus some junk mail.
#2: a no longer required dressmaking pattern
#3: I used pastels to colour ordinary printing paper and added a paper serviette and some coffee crystals.
The sheets are about A3, but I could only scan part of them.





#3

 


#1







#2



Unfortunately, I cannot seem to control where this pictures go.

What can I do with these sheets?

If I want to add stitching, these are nice and firm and need no further stabilizing.

Maybe I'll make some bookmarks? Some ATCs? acrylic paint? 

Down to Earth

Whenever I am "told" I have to make something for an exhibition, I usually start by feeling annoyed and like " I don't want to do that". But often, those events were the start of work I was very happy with.
And this is what happened this time.
The outdoor exhibition is called "Down to Earth" and you have seen the tree art that I made.
But slowly another idea started to take shape and this time I just went with it without too much pre-planning or even drawing.

I had some hand woven wool that I frayed and layered. There was going to be a line that indicated the division between under and over the soil and from there I let myself be inspired by my "stuff".

I rolled some paint on the wool before I attached anything and even did some monoprinting, where I created grass on allfoil with acrylic paint, then turned it over onto the wool and rubbed the paint down.
You really need to see the closeups of the "digs" the right one has small piece of bones and even some teeth.
Well may you ask: teeth of what?
I don't know: we found a little skull, maybe it was a wallaby or maybe a hare. I took some of the teeth out and sewed them on.
On the left hand side are pieces of shell.
The stitching I did was very free,  after my spell trying to learn painting, it turned out to be like painting with thread: stitching some grass for example, then adding shadows and highlights.
This is the most fun I have had for years with a project.

I bought a picture in a frame on the market and I will use that to frame it, but it needs some work to make it look "earthy" enough. I probably will use impasto gel medium, find sand and maybe some other stuff and I will be a good girl and test the process first on a board I have.

Hands and Gloves is finished!

Here it is! It is 26" square, mounted over stretcher bars.
I am very happy with it.

Stitching the gloves on

This is a bit of a boring job, but it does look nice. Better than if I had been able to use a machine stitch, which was my original intention. I couldn't do that, because the foot doesn't move freely over the kid leather. I believe it needs a roller foot, which I don't have and don't want to buy.

What I do like is whipping another yarn through the stitches so, even before I finished the stitching, I am experimenting.

This is a relative fine thread that can be used with an embroidery needle.

This yarn is much thicker and I had to use a big needle with a very big eye.
It hides the original red stitching a bit more, it is marginally harder to use.
What does show well on these photos is that the kid leather is very fine and I am conscious that it really IS skin as I push the needle through.
I think I will be going with the finer thread.
I bought the yarns, threads and some fascinating fabrics at the Textile Art Festival in Brisbane last Friday.
Threads and yarns from The Thread Studio and fabric from  Beautiful Silks.

Also bought a "Studios" Magazine.  Our house is for sale which means that, eventually, we will move into another house and I have an opportunity to redesign my sewing studio. I like the one I have, because although it is only small, we had the house built to our specs, so I have been very happy with my sewing studio, which, in fact, I have always called my sewing "room". As we very likely will move into an existing home, I will have to work with what I get!

Creating background

The quilt sandwich is made and is approx. 32" square.
Layers: Iron on interfacing on the bottom fused to bamboo wadding fused with paper backed fusible to the Dupion Silk.
I made templates of the outline of my hand in 3 sizes. (resized in CorelDraw).
25 Hand outlines are drawn on the back of the quilt sandwich, which is the interfacing.

I went through my threads and yarns and selected 2: an orangy hand spun silk thread, given to me many years ago by an 80 year old lady called Norma, a variegated jeans topstitching thread.
I made a test quilt the same as the main quilt and tried them out.

I liked the orange thread the best, with it slightly lumpy texture.

Deconstruction 1 and 2

What if....
I opened up one glove, so I could applique it and see both sides at once?

This is what it looks like. Because you can't see the thumb, you can't appreciate how unpleasantly organic this object looks!


Next: just cut each glove in half, so I have 2 outside and 2 inside pieces.

OK, this was an experiment and I was very much prepared to sacrifice this pair.
I don't have to sacrifice the 4 pieces, but I learned NOT TO USE STEAM ON KID LEATHER!
It makes it shrink like plastic would.

Next step:
I have a piece of gorgeous magenta Dupion Silk for the background. Thought I could tuck it, but tucking needs more fabric than I have.

More ticky-tocky

 

It is looking good, isn't it!

I love the way the organza mutes the design of the fabric underneath. 

The stars are now defined.

Being able to design on the computer and print has made this element so much easier. especially the numbers on the clock. 

What I like about blogging this project is that, even though I think I am not getting anywhere, I can see progress.

I've ordered the wrought iron quilt hanger, I am committed to enter a new piece in the Musical Gems exhibition at the end of next month. Thank goodness for deadlines!

I am going to start on another element, while I consider how to design the hands of the clock with a sense of movement.  If I can't think of any way to get that effect well, I'll just put 2 hands in.....

Still more about EQ6 and wondering about the centre of the block

This morning I opened EQ6. Nothing in the Fandance project. NOTHING!!
How could that have happened?? I knew I had saved, saved, saved.
Rather than bothering Penny again, I went online to the FAQ and there was the answer:

I named a project, added things to my Sketchbook, and exited. But when I opened the project again it was empty. Why?
You may have over-written your full project with an empty project of the same name. So be sure, when you want to open a project you have saved, that you click the "Open an Existing Project" tab, and choose your project from the list, rather than typing a name in the "Name a New Project" tab.

If you type the name of a project, and already have a project with this same name, your new project (empty), will replace your existing project (full).

OK.....
Lucky I had saved the image of the quilt as a gif file and didn't really need anything else.

I've made a few fan blocks and have started adding the quarter circle. Tried a few different sizes and also considered how best to get the smooth curved applique.
When I do a full circle, I make 2 templates. A plastic template of the circle plus the seam allowance. I used that to mark and cut the patches.
Then I have a  cardboard template of the circle's finished size. I stitch a running stitch along the edge of the circle, place the cardboard in the centre on the wrong side of the fabric, pull the stitching tight over the carboard template and press. After it cools off, I take the cardboard out and give the circle another good press. Voila, nice, neat easy circle.
That doesn't work so well with a quarter circle.
What is working reasonably well is this:
Make 2 templates: one of the quarter circle plus seam allowances, another on where the seam allowance is cut off the curved edge.
I cut 2 patches from the big template: one of the fabric, one of some fine white lawn.
With the smaller template, I mark the sewing line of the curved edge only on one of the 2 fabrics.
I stitch the 2 fabrics together with a very small running stitch.
Turn the fabrics, cut some of the excess white lawn off and applique stitch the curved edge over the fan blades.
The straight edges are lined up with the raw edges of the block and I baste them together.
This really seems to take longer to write it all down than it is to stitch.