Paper-cloth

I went to the Craft Show in Brisbane yesterday which was terrific and very inspiring.
Of course, had to buy some beads, some  packets of luscious fabrics, threads, book.
One book Stitch Alchemy shows a technique to create sheets of paper-cloth.
Basically, you put a piece of fabric on some freezer paper, slap some diluted white glue on it and cover it with strips of paper. The resulting sheet can be used to paint, stitch, embellish, cut..whatever.
I did 3 today.
#1: gold tissue paper and the handmade paper our washing came back in when we were in Bali many years ago plus some junk mail.
#2: a no longer required dressmaking pattern
#3: I used pastels to colour ordinary printing paper and added a paper serviette and some coffee crystals.
The sheets are about A3, but I could only scan part of them.





#3

 


#1







#2



Unfortunately, I cannot seem to control where this pictures go.

What can I do with these sheets?

If I want to add stitching, these are nice and firm and need no further stabilizing.

Maybe I'll make some bookmarks? Some ATCs? acrylic paint? 

Down to Earth

Whenever I am "told" I have to make something for an exhibition, I usually start by feeling annoyed and like " I don't want to do that". But often, those events were the start of work I was very happy with.
And this is what happened this time.
The outdoor exhibition is called "Down to Earth" and you have seen the tree art that I made.
But slowly another idea started to take shape and this time I just went with it without too much pre-planning or even drawing.

I had some hand woven wool that I frayed and layered. There was going to be a line that indicated the division between under and over the soil and from there I let myself be inspired by my "stuff".

I rolled some paint on the wool before I attached anything and even did some monoprinting, where I created grass on allfoil with acrylic paint, then turned it over onto the wool and rubbed the paint down.
You really need to see the closeups of the "digs" the right one has small piece of bones and even some teeth.
Well may you ask: teeth of what?
I don't know: we found a little skull, maybe it was a wallaby or maybe a hare. I took some of the teeth out and sewed them on.
On the left hand side are pieces of shell.
The stitching I did was very free,  after my spell trying to learn painting, it turned out to be like painting with thread: stitching some grass for example, then adding shadows and highlights.
This is the most fun I have had for years with a project.

I bought a picture in a frame on the market and I will use that to frame it, but it needs some work to make it look "earthy" enough. I probably will use impasto gel medium, find sand and maybe some other stuff and I will be a good girl and test the process first on a board I have.

Stitching the gloves on

This is a bit of a boring job, but it does look nice. Better than if I had been able to use a machine stitch, which was my original intention. I couldn't do that, because the foot doesn't move freely over the kid leather. I believe it needs a roller foot, which I don't have and don't want to buy.

What I do like is whipping another yarn through the stitches so, even before I finished the stitching, I am experimenting.

This is a relative fine thread that can be used with an embroidery needle.

This yarn is much thicker and I had to use a big needle with a very big eye.
It hides the original red stitching a bit more, it is marginally harder to use.
What does show well on these photos is that the kid leather is very fine and I am conscious that it really IS skin as I push the needle through.
I think I will be going with the finer thread.
I bought the yarns, threads and some fascinating fabrics at the Textile Art Festival in Brisbane last Friday.
Threads and yarns from The Thread Studio and fabric from  Beautiful Silks.

Also bought a "Studios" Magazine.  Our house is for sale which means that, eventually, we will move into another house and I have an opportunity to redesign my sewing studio. I like the one I have, because although it is only small, we had the house built to our specs, so I have been very happy with my sewing studio, which, in fact, I have always called my sewing "room". As we very likely will move into an existing home, I will have to work with what I get!

Creating background

The quilt sandwich is made and is approx. 32" square.
Layers: Iron on interfacing on the bottom fused to bamboo wadding fused with paper backed fusible to the Dupion Silk.
I made templates of the outline of my hand in 3 sizes. (resized in CorelDraw).
25 Hand outlines are drawn on the back of the quilt sandwich, which is the interfacing.

I went through my threads and yarns and selected 2: an orangy hand spun silk thread, given to me many years ago by an 80 year old lady called Norma, a variegated jeans topstitching thread.
I made a test quilt the same as the main quilt and tried them out.

I liked the orange thread the best, with it slightly lumpy texture.

Deconstruction 1 and 2

What if....
I opened up one glove, so I could applique it and see both sides at once?

This is what it looks like. Because you can't see the thumb, you can't appreciate how unpleasantly organic this object looks!


Next: just cut each glove in half, so I have 2 outside and 2 inside pieces.

OK, this was an experiment and I was very much prepared to sacrifice this pair.
I don't have to sacrifice the 4 pieces, but I learned NOT TO USE STEAM ON KID LEATHER!
It makes it shrink like plastic would.

Next step:
I have a piece of gorgeous magenta Dupion Silk for the background. Thought I could tuck it, but tucking needs more fabric than I have.

Working in Photoshop

I have fully completed 16 Tarots and another one needs some hand stitching and beading. This means I am on track to complete 2 more this month and the final three in April. Hooray!!


For The Devil I needed an image of chains. (for addiction).


My attempt to draw some was not very successful. I remembered DH had some heavy chains in the shed so I got those out. I mucked about with paint on fabric, which didn't go anywhere.


I cropped one of the photos I took, manipulated them further in Photopaint and I was thrilled with the result.

This was the cropped photo of the chains on our verandah floor.

This is the image which I then printed on ready-to-print cotton and which became the background for this piece.

I have come to the conclusion that your weaknesses as well as your strengths contribute to developing a style.

Had I been able to draw, I would have done that and stopped there.