I've made a start!

The letters are ready to be fused to the background, but are still loose, only pinned.
The process I want to use is to prepare all the elements first, that is, use a paper backed fusible and get each piece like the letters,  to enable me to play with the lay-out before the fusing, a step that cannot be corrected.
And of course, once all the parts are fused on, I can start the stitching.

I will use a kind of machine trapunto I developed for Floral Bouquet,  a project I did for Australian Country Craft and Decorating some years ago.
 

About the thin guidelines on the board: they are black thread anchored onto pins to help me with the lay-out.

The lines mark a 32" x 32" area for the design divided into 4. After I did this, I remembered the art rule, to work with thirds...next time!

 

The excess is not only the quarter inch seam allowance, but the machine trapunto could pull up and distort the fabric somewhat so I need to give myself extra fabric for straightening.

 

This is how the threads are attached to the pins:

 

 

Really love this design board. Well worth all the time and effort it took.

 

I had thought of designing this project on my computer, using EQ7, an excellent program.

But for me, EQ7 works best for patchwork, where the pieces must fit together.

For a project like this, the ACE quilt, the background becomes my canvas, cutting and arranging the fabric elements my way of painting.

 

 

 

 

 



Colour wash

 I cut out over 400 squares of fabric and soon I realised, it wasn't going to work. Because of the dark border, it was too small for what I had in mind.

Rather than discard them, I did join them and will keep that piece for a future project. Another UFO it is...Unfinished Object.

Here it is:

Next: back to the ACE quilt....seriously because I have a few other projects I want to work on.

Progress?

What did I do since my last post?
I tidied up the cupboards in my sewing room, re-organising the fabrics so I at least knew what I had and knew where to find it.
I expect my power bill to be way up, as stood there for days on end ironing each piece of fabric.

It not only looks good, I enjoyed meeting up with these fabrics again, some that have been in my stash for a long time.
I also sorted beads and anything else that comes into making textile art.

I visited family in PNG and taught a patchwork class there for the local ladies. I'll do a separate post on that.

Next I wanted a new design wall. What I had was a sheet of Masonite, covered with a padded and gridded piece of calico.
I wanted something larger and lighter and covered a 5 x 190 x 120cm piece of polystyrene first with bleached calico, then pinned a gridded flannel sheet on that.
I wish the sheet was white instead of medium grey, as the colour shows somewhat behind thin fabrics and make them look a bit darker.  Apart from that, it works well. The patches adhere to it and if necessary, I can push pins right through. The whole design wall is light enough to move it around and will fit behind the sofa bed in my sewing room when not in use.

What you see here is 2" squares and on the right is the border fabric.
It is more a colour wash than a Trip Around the world, I don't mind it, but once I stitch this together I don't have enough light coloured background for the actual design.
So I'll sew these up, but it won't go into the ACE quilt and I will buy a single background fabric on Wednesday at the Craft Show in Brisbane. I have some gorgeous cream background fabrics, but not enough of any of them.
I may even get another border fabric, if I can find something with apple green in it.

And this, dear reader, is how my design process goes: two steps forward, one step back. I am grateful for having been given carte blanche and not have to submit a final design for approval.