I have joined a few different swaps, but I'll share with you some old ones I did. I didn't actually swap them, but just gave them away.
Friday, August 20, 2010
ATCs
That stands for Artist Trading Cards. They are 2.5" x 3.5" . They are fairly easy and quick to make, much quicker than fabric postcards and you can swap them.
I have joined a few different swaps, but I'll share with you some old ones I did. I didn't actually swap them, but just gave them away.
You get the idea.....
I have joined a few different swaps, but I'll share with you some old ones I did. I didn't actually swap them, but just gave them away.
Saturday, August 14, 2010
Sorting my bead collection
Well, that took ages. I kept finding more containers.
But it is looking good now.
This is my worktable in the middle of the process.
But it is looking good now.
This is my worktable in the middle of the process.
Tuesday, July 13, 2010
Next projects
I was gently pushed into making an entry for the Glen Rock Quilters' Challenge: Wine, Roses and All That Jazz.
I agreed, because I happen to have something already half made!
This
This is a quilt made with gold fabric, music fabric for the binding and for a previous exhibition, I temporarily attached some postcards. They were a gift and I had to give them back, but I still have this quilt.
Unfortunately the gold organza I used cannot stand the heat of the iron necessary to have something fused to it.
But I can make some elements and just hand stitch them on.
The deadline after that is "Down to Earth" I don't want to make anything that takes too long. Painters are lucky in that respect, they seem to be able to do a painting in a week with lots of time to spare.
At the moment, my thoughts are going to a snake. This is an outside exhibition, could I make a fabric snake that curls and that can be hung from a tree?
What if: I cut a wide spiral out of fabric, wide enough to stitch the edges together, stuff it to make it into a kind of spirally sausage??
I can then decorate it with stitching, beads and whatever.
I agreed, because I happen to have something already half made!
This
This is a quilt made with gold fabric, music fabric for the binding and for a previous exhibition, I temporarily attached some postcards. They were a gift and I had to give them back, but I still have this quilt.
Unfortunately the gold organza I used cannot stand the heat of the iron necessary to have something fused to it.
But I can make some elements and just hand stitch them on.
The deadline after that is "Down to Earth" I don't want to make anything that takes too long. Painters are lucky in that respect, they seem to be able to do a painting in a week with lots of time to spare.
At the moment, my thoughts are going to a snake. This is an outside exhibition, could I make a fabric snake that curls and that can be hung from a tree?
What if: I cut a wide spiral out of fabric, wide enough to stitch the edges together, stuff it to make it into a kind of spirally sausage??
I can then decorate it with stitching, beads and whatever.
Labels:
art quilts,
design,
fabric art,
quilt art,
quilting,
sewing,
textile art
Monday, July 12, 2010
Sunday, June 27, 2010
Stitching the gloves on
This is a bit of a boring job, but it does look nice. Better than if I had been able to use a machine stitch, which was my original intention. I couldn't do that, because the foot doesn't move freely over the kid leather. I believe it needs a roller foot, which I don't have and don't want to buy.
What I do like is whipping another yarn through the stitches so, even before I finished the stitching, I am experimenting.
This is a relative fine thread that can be used with an embroidery needle.
This yarn is much thicker and I had to use a big needle with a very big eye.
It hides the original red stitching a bit more, it is marginally harder to use.
What does show well on these photos is that the kid leather is very fine and I am conscious that it really IS skin as I push the needle through.
I think I will be going with the finer thread.
I bought the yarns, threads and some fascinating fabrics at the Textile Art Festival in Brisbane last Friday.
Threads and yarns from The Thread Studio and fabric from Beautiful Silks.
Also bought a "Studios" Magazine. Our house is for sale which means that, eventually, we will move into another house and I have an opportunity to redesign my sewing studio. I like the one I have, because although it is only small, we had the house built to our specs, so I have been very happy with my sewing studio, which, in fact, I have always called my sewing "room". As we very likely will move into an existing home, I will have to work with what I get!
What I do like is whipping another yarn through the stitches so, even before I finished the stitching, I am experimenting.
This is a relative fine thread that can be used with an embroidery needle.
This yarn is much thicker and I had to use a big needle with a very big eye.
It hides the original red stitching a bit more, it is marginally harder to use.
What does show well on these photos is that the kid leather is very fine and I am conscious that it really IS skin as I push the needle through.
I think I will be going with the finer thread.
I bought the yarns, threads and some fascinating fabrics at the Textile Art Festival in Brisbane last Friday.
Threads and yarns from The Thread Studio and fabric from Beautiful Silks.
Also bought a "Studios" Magazine. Our house is for sale which means that, eventually, we will move into another house and I have an opportunity to redesign my sewing studio. I like the one I have, because although it is only small, we had the house built to our specs, so I have been very happy with my sewing studio, which, in fact, I have always called my sewing "room". As we very likely will move into an existing home, I will have to work with what I get!
Labels:
art quilts,
Beautiful Silks,
design,
sewing,
sewing room,
silks,
stitching,
studio,
surface design,
textile,
textile art,
the thread studio
Friday, June 25, 2010
Background
This is the background, in other words: 3 layers with stitching.
Here is a close up.
I used part of Windmills of your mind to see if I could staple a quilt to stretcher frames, to get away from what I felt was an unpleasant way a quilt with various amount of density in the quilting, will hang.
You can't appreciate it here, but it is very effective and I have bought 26" stretched bars for this new work.
Here is a close up.
I used part of Windmills of your mind to see if I could staple a quilt to stretcher frames, to get away from what I felt was an unpleasant way a quilt with various amount of density in the quilting, will hang.
You can't appreciate it here, but it is very effective and I have bought 26" stretched bars for this new work.
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